There is an elaborate, tender ceremony carried out before the family and friends of the deceased, with an elegance and care that is rather fascinating.The hero is a man who feels he is owed a death. Mr. Sasaki misses his late wife.

There is a scene of discovery toward the end with tremendous emotional impact. Though his musical career is different from his mortician career, the editing focusses on the violin to continue with the theme of death and his role as a mortician.In conclusion, the film Departures by Yojiro Takita largely deals with theme of death and other sub themes such as religion, and funeral rituals in the Japanese culture. For example, the main character is stiff and emotionless in relation to his father who abandoned him when he was young. Kim mentions that some of the Japanese death rituals take place at the deceased person’s house, which is true since most of Daigo’s rituals are done at the deceased persons’ houses.

But it is rare because it is so well-made. It brings four main characters onstage (and the sweet old couple from a bath house). There is a scene of discovery toward the end with tremendous emotional impact.

Movie Review - From Japan, Elegant (And Eloquent) 'Departures' This year's foreign-film Oscar winner, Yojiro Takita's movie is a delightful surprise — one part engaging dramedy (about a …

Director The enterprise of undertaking is deadly serious, but has always inspired a certain humor, perhaps to mask our fears.

The opening scenes of "Departures" (2009) give no hint of what direction the film will take. That observation from the mourner of a dead dog in Errol Morris' "The story involves a young man who apprentices to the trade of "encoffinment," the preparation of corpses before their cremation.

It has the decorum of a mourner at a funeral. He answers a classified ad entitled "Departures" thinking it is an advertisement for a travel agency only to discover that the job is actually for a "Nokanshi" or "encoffineer," a funeral professional who prepares deceased bodies for burial and entry into the next life.

She also notes the difference in the rituals based on family, age and other societal factors, which are also observable in Departures.

Departures Summary. Many standing ovations are perfunctory. Close-ups don't punch up points, but allow us to peer into these faces we have come to value.Casting is vital in this movie, in no role more than Mr. Sasaki. He is subjected to prejudice from those around him, including from his wife, because of strong social taboos against people who deal with deat… The film follows a young man who returns to his hometown after a failed career as a cellist and stumbles across work as a nōkanshi—a traditional Japanese ritual mortician.

Lastly, the editing, which can be observed through the organization of space through the film helps viewers in focusing on what is important. We learn something of the several families that employ the Departures firm. We care about them.

His office manager, inspirational but with an inner sadness. As nearly as I can recall, there is no discussion of an afterlife. They need the money. A Brief Analysis of the Film The film revolves around the life of Daigo, a mortician who assumed his role after an orchestra that he was part of was disbanded.

In 1975, he won the Pulitzer Prize for distinguished criticism. For example, in one of the scenes where Diago holds his musical instruments, focus is placed on how he opens his musical instruments and how he plays it. Daigo is shocked to discover what the owner (Daigo doesn't tell his wife what he does. 18). The hero, Daigo is a cellist in an orchestra in Tokyo.

Written by Braga Lena. One of the themes that most contemporary focus on is mortality.

Peaceful, touching and quirky funny, Departures is a very positive view on life and the choices we make, despite the topic and the very teary scenes. At the end, when several plot threads come together, it happens so naturally and is so deeply satisfying.This film is not a stylistic breakthrough or a bold artistic statement. They are involved in an enterprise we probably knew nothing about. (A discreet shot shows the marks still on the floorboards from where it rested while he practiced.) We meet the old lady who runs a public bath, and her oldest customer, and later the attendant at a crematoriam.

Departures Movie Analysis. And how certain compositions suggest that we are all in waiting to be encoffined.Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. We understand why, when his wife leaves, Daiko knows he must stay. The film is sometimes humorous, but not in a way to break the mood. Filmmakers understand that death is inevitable and is part of human life. This can be observed in the film since the dead that Daigo deals with are placed in a futon like area.

The father of Daigo (The company serves clients making their final trip. However, he discovered that his job is to prepare the dead bodies ceremonially in front of their families before placing them into the coffin.

We have no way of knowing, and indeed neither do they, that this is the beginning of a journey of profound growth and discovery, brought about through the instrument of death.I showed Yojiro Takita's film at Ebertfest 2010, and it had as great an impact as any film in the festival's history. You can't say it wasn't prepared for, but it comes as a devastating surprise, a poetic resolution.Some of the visual choices are striking.

The film begins with a scene in which the main character, Daigo, drives through a blizzard with an old man beside him. It is all about the living.

There is nothing contrived about its problems; they belong naturally to the narrative.

The earnest, insecure young man.

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