That's the sad part of that aspect.The good thing I can say about the Colonel is that he always did what he said he would do for me, or with me.

I emulated and accented everything that he did just instinctively. We are involved in an industry that is controlled by the unions. He would have been excited about the crowd's response. I don't remember anything about repertoire at that particular point. Everybody had a deal going, and were constantly trying to get him to record their songs. The AFFM, where our contracts were filed, does not require you to do that. These are my own words, but he believed that recording is an art of recording a live performance, not an art of a recording studio. He'd make a move, and two-and-a-half seconds later you'd hear a 'wooosh' sound. To drop a beat while playing with Ronnie Tutt was an insult: it was implying you disagreed with Ronnie Tutt about where the one was, and Ronnie motherfucking Tutt knows where the one is. RCA had the remote truck there. I think my first instrument was a ukelele, which is a great little instrument. Felton Jarvis was constantly pulling his hair out. They never let us know, and that's the reason We were told that the Colonel didn't want to do that. But of course he had the final say, so he had to like it or he wouldn't do it. But I was never aware of anything that he was actually doing, because we never hung out and did drugs together. My mother put me in dancing lessons right away. It more described the kind of music that we were trying to get him to do at that time. I used to look up, and the black was just pouring down his face. Highly recommended. From what I understand, everything that he did, after it had already been mixed, got taken to New York, where it was remixed.Well, 'Burning Love' kind of has a soft spot in my heart. Ron Tutt (born March 12, 1938) is an American drummer who played concerts and recording sessions for Elvis Presley, the Carpenters, Roy Orbison and Jerry Garcia. We saw eachother anytime karate people were around. We've always laughed about that Elvis could've done the show with ten monkeys, and people would still come to see the show. Then I'd go to I could only see that he was one of the most resilient men I have ever known. Even while doing this new project, That's because the Colonel did not let us know. So nobody would know that we played with Elvis, unless Elvis introduced us live on stage, on the record itself, or in the film. Like you said before, if he would have tried new material on a live audience, it could have been a totally different thing.He was always frustrated with the sounds, with the mixes. You know, like: 'come on, come on!'. It was a strange shape, so in order for the sound to be proper or as good as you could make the sound, we were in plexiglas.

On the back of it, it says: 'To Ronnie - from 'Squirly' EP', he didn't even say 'Elvis'. That's part of that album, The energy was incredible. | Elvis Presley

He was too much of a free spirit to be hung in one place and having to do two shows a night. That's one of the good things about doing 'Elvis The Concert', because it's all beautiful, he doesn't have off-nights, he looks perfect and sings great. That's one thing I always prided myself in, I always tried to tell Elvis: 'Whatever you ask me, I'll give you my best answer I could possibly give you'. And then he came over, and he just stood there again. He needed something to relax, he'd have to wind down after a show. The rumour came about in the last few years that the Colonel had tremendous gambling debts in Vegas, and that he constantly manipulated Elvis to come back again and again. It was an amazing thing. If you have any unfortunate news that this page should be update with, please let us know using this form. I was frustrated with playing trumpet and guitar, because I wanted to express myself rhythmically. Elvis didn't like that. That was the fun part about it, but as far as music and feedback from people, there was none at all. Great News that Ronnie Tutt has been inducted into the 'Classic Drummer Hall of Fame'.

I saw some pages. So with that in mind, I think he wanted to know. Because he stood right in front of me so that he could feel the power and energy from the drums all the time. Even when we recorded in a studio, he'd take the microphone off the stand and go over and stand in front of me. They looked like little tiny antheads out there anyway. People were sitting there ready to be entertained. My friend He was very active. That was the first gift he gave me.



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