| Cinemark That being said, in spite of its flaws, the final product hits more often than it doesn't, and that's just often enough for it to persevere as genuinely likable, with a fair share of unexpected strengths, even in the music department.

We won’t be able to verify your ticket today, but it’s great to know for the future.Regal | All rights reserved. The film isn't exceedingly flawed... like "A Walk to Remember" (Ah, get out of my head! "Wow, after 'The Notebook' and 'Nights in Rodanthe', this is the third decent Nick Sparks film in a row, so maybe the series is starting to get better", is something that I wish I had heard someone say when this film first came out, one month before "The Last Song" (In all fairness, two Nick Sparks films in not even three months is pushing things a bit). We won’t be able to verify your ticket today, but it’s great to know for the future.Theater box office or somewhere else He's a great actor.


The Last Waltz At Home. That being said, in spite of its flaws, the final product hits more often than it doesn't, and that's just often enough for it to persevere as genuinely likable, with a fair share of unexpected strengths, even in the music department. "Wow, after 'The Notebook' and 'Nights in Rodanthe', this is the third decent Nick Sparks film in a row, so maybe the series is starting to get better", is something that I wish I had heard someone say when this film first came out, one month before "The Last Song" (In all fairness, two Nick Sparks films in not even three months is pushing things a bit).

Whoa, Keanu By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.Fandango Movies.com > Dr. John. ), but it has plenty of issues, and not enough counteraction to reward, ultimately slipping as, not at all mediocre, but not really anything all that special, slipping into the underwhelmingness that it could have overcome, but fails to best. We won’t be able to verify your ticket today, but it’s great to know for the future.Theater box office or somewhere else There's not too much meat to Sparks' story concept, which is, in plenty of places, kind of thin, and therefore reliant on conventional and manufactured dramatic beats to beef up substance, but where Sparks could have easily slipped up and put together a story that is really messy with dramatic depth and subtlety (I mean, we're talking about austism and 9-11 themes here), he lays down a plot foundaction that, while shaky, is built upon with an adequate degree of inspiration by screenwriter Jamie Linden and director Lasse Hallström.

| So I enjoyed the movie, but I do agree that the movie is a big cliche - and it seems a good part of the movie is John or Savannah reading letters before the inevitable Dear John letter. At the very least, Tatum's and Seyfried's chemistry compels, being just strong enough to get the film by as a romantic character piece, while inspiration in plenty of other substance departments really keep you sticking with things, not to where the film rewards as much as it could have, but certainly to where you end up with a decent final product, which boasts enough entertainment value and high points in dramatic kick to stand as enjoyable, if a bit flawed. Eh, it's still better than "Safe Haven", and yet, with that said, as decent as this film is, it, much like Amanda Seyfried's beautiful, if a bit disproportionate face, is not without some questionable beats. From adolescence John-Roger was aware of much more than this physical level. While meeting only sporadically, they stay in touch by sending a continuous stream of love letters overseas -- correspondence that eventually triggers fateful consequences. Please click the link below to receive your verification email. At the very least, Tatum's and Seyfried's chemistry compels, being just strong enough to get the film by as a romantic character piece, while inspiration in plenty of other substance departments really keep you sticking with things, not to where the film rewards as much as it could have, but certainly to where you end up with a decent final product, which boasts enough entertainment value and high points in dramatic kick to stand as enjoyable, if a bit flawed. Speaking of "Nights in Rodanthe", I reckon that film's success finally showed Lasse Hallström that it's not so much Richard Gere who is box office gold, as much as it's Nicholas Sparks, as heartbreaking as that is to say. | Rating: 2.0/4.0 He has become known as "Dr. John, The...

I'm not asking for a highly extensive character piece that cuts deep within the human value, because this isn't that kind of a film, and it doesn't help that Nicholas Sparks stories are hardly well-down for their thorough expository value, but I didn't expect the film to be as undercooked as it very much is, for although there is enough flesh-out to this effort to earn a reasonable degree of your investment, very little depth can be found within characterization, which gives you the bare bones, and just barely does that. May 6, 2011 "Dear John" tells story of John Tyree, a young soldier home on leave, and Savannah Curtis, the idealistic college student he falls in love with during her spring vacation.


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