As she tells the crowd, she did comedy by the book for over 10 years, and "I got really good." 'Awards Chatter' Podcast — Hannah Gadsby ('Douglas') Scott Feinberg 7/14/2020 '7 bullets, 7 days.' Then she got bored, frustrated, and started to feel limited — and so she re-wrote the book. Here's what we know so farVirus transmission from urinals (and what that has to do with face shields)Melbourne may remain under stage 4 restrictions until mid-OctoberAnalysis: Morrison is at the whim of the states, and the situation is worse than we thoughtLive: COVID-19 fragments found in Victorian sewerage system, Daniel Andrews to announce new 'roadmap'Surgeon Omar Khorshid took his health into his own hands. The applause ringing through “Douglas” suggests that what one comes to Gadsby for is the humor, but what one leaves with, by the artist’s own design, is a sense of having done activism simply by agreeing with her. Turning 50. Too old to party, too young to settle down, comedian Taylor Tomlinson takes aim at her life choices.

Emmy Nominee: Variety Special, Writing Hannah Gadsby's acclaimed first special, "Nanette," won a 2019 Emmy Award for Outstanding Writing for a Variety Special. Twenty something Josh is going through a number of big changes as he navigates his first decade of adulthood.

Hannah Gadsby ("Nanette") returns for her second stand-up special and shares her latest takes on popularity, identity, language, feminism and more. Finding love again. She admits that she has to trust people — often strangers, often blindly — to help her navigate the world. Gadsby gets a lot of mileage out of showing how this has played out in art: cue a slideshow of high-Renaissance paintings, with live commentary — one of her But Gadsby is ultimately less interested in the nature of the power-holders than the dynamics of power; less interested in who than how.There's a lot at stake for Gadsby when it comes to words and names. "Gadsby displays the ease of someone who finally got something very big off their chest, and is quite simply relieved.Douglas starts off innocuously, on the topic of names: show names (Douglas, the name of her dog, turns out to be even more of a red herring than Nanette), pet names, American names for things versus Australian names for things ("Americans are like the straight white men of cultures" — not interested in yielding to anyone else's), medical names (do yourself a favour and don't look up the "Pouch of Douglas" — it's better in Gadsby's telling). This comedy special is a true representation of verbal gold. Urgent plea for domestic violence concussion policy on par with sportspeopleA dead goat in the recycling bin is the least of this plant's problemsWoman helping police after stabbing death north of Brisbane And taking the stage at Hamer Hall (to a home crowd's cheering), she did seem to stand taller. She talks about how people tell her about her own craft (it's not stand-up, it's a monologue; or it's a lecture; but at least, she says wryly, no one's calling it a "one-woman show — what a muzzle!"). Hannah Gadsby’s new Netflix stand-up special Hannah Gadsby: Douglas comes in a post- Nanette world and the Australian comedian is deeply aware of …

People (lots of people) started asking for selfies, and people — often the same people — started telling her their trauma, sometimes directly before they took the selfie.

That special was, necessarily, a once-in-a-career thing, but there’s something of a lack of motivation to “Douglas”; Gadsby’s artful toggling between verbal trickery and blunt statements of her political project seems done more for its own sake than to change hearts or minds.Which is fine! Australian comic Hannah Gadsby reshapes standard stand-up by pairing punchlines with personal revelations on gender, sexuality and childhood turmoil. An in-depth look at Hollywood's depiction of transgender people and the impact of those stories on transgender lives and American culture.

Life got very different for Hannah Gadsby in the wake of Nanette: she moved to Los Angeles, she got a stylist (and a tailor), she went to the Emmys. Hannah Gadsby's Nanette follow-up Douglas signals the beginning of a comedy revolution. (In her preamble, Gadsby anticipates the complaint that she is not funny, a roundabout way of calling her shot and preemptively getting forgiveness.) “Nanette,” her performance that toured widely and was released on “Douglas,” her new special on Netflix, explicitly situates itself as post-”Nanette,” which means it must, among other things, justify its existence as the work of someone who said she was done — both good enough to bring Gadsby back and post-stand-up enough to distinguish itself as part of a project that is of comedy and apart from it.

But Gadsby doesn't do whimsy, and there's a sting in the tail of this: names have power. ABC Arts / By arts editor Dee Jefferson. It is not Gadsby’s job, any more than it is any comedian’s, to convince. See high school TV and movie icons then and now, from "Want to share IMDb's rating on your own site? Variety and the Flying V logos are trademarks of Variety Media, LLC.

Stage presence: Hannah Gadsby makes a return to the stage after Nanette. Was this review helpful to you?

Now, her second special for Netflix, 'Douglas', proves that 'Nanette' was not a fluke.

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